ALECHINSKY > Graffiti Selenite, Etching
Related Prints| Book
Original etching printed in colours, with lithograph
frame, proof signed, titled and dated.
Size of paper : 65 X 50.5 cm
Size of copperplate : 62 X 49 cm
Very good condition.
Very interesting print mixing 2 techniques, etching and lithograph. Other prints available by ALECHINSKY
Size of paper : 65 X 50.5 cm
Size of copperplate : 62 X 49 cm
Very good condition.
Very interesting print mixing 2 techniques, etching and lithograph. Other prints available by ALECHINSKY
ALECHINSKY : Milano, engraving
Estampe Vendue 
Etching and aquatint printed in colours, very nice proof hand signed by Alechinsky, titled, dated and numbered from an editon of 99 copies, in 1990.
Size of paper and subject : 93 X 70 cm
Good condition.
Etching and aquatint printed in colours, very nice proof hand signed by Alechinsky, titled, dated and numbered from an editon of 99 copies, in 1990.
Size of paper and subject : 93 X 70 cm
Good condition.
ALECHINSKY : Carte muette, etching
Estampe Vendue
Original etching and aquatint printed in colours, circa 1980, very nice proof on BFK Rives, signed by Alechinsky and numbered on X, from an edition to 110 copies (100 + X)
Size of the paper :
66 X 50 cm (26 X 19.5 in)
Size of the illustration :
38 X 33 cm (15 X 13 in)
Very good condition, interesting
etching printed on an old
hydrographical map.
Original etching and aquatint printed in colours, circa 1980, very nice proof on BFK Rives, signed by Alechinsky and numbered on X, from an edition to 110 copies (100 + X)
Size of the paper :
66 X 50 cm (26 X 19.5 in)
Size of the illustration :
38 X 33 cm (15 X 13 in)
Very good condition, interesting
etching printed on an old
hydrographical map.
Pierre Alechinsky, centres et marges
Catalogue of an important exhibition Alechinsky at the Royal Museums of the Art of Belgium in 1988. This exhibition had already been shown to the Guggenheim Museum of New York and in the Kunstverein of Hanover. As the title of the catalogue indicates it, the exhibition is devoted to the marginal drawings that Alechinsky very often realize around its works ; waves, characters, volcanos, it is always a history that Alechinsky tells us, in margin of its works. In margin yes, but integral part of work. The mixing of technique often gives very interesting results (generally acrylic for the central part of the work and Indian ink for the margins). These margins are sometimes "prédelles" (only one band in bottom of the painting). Nearly 120 works are reproduced in colors. Poem of Octavio Paz and interview of Alechinsky by Michael Gibson, Alechinsky who explains with much serious and humour the narrative sequences of his works. Important biography at the end of the book. Back
ALECHINSKY briography
Catalogue of an important exhibition Alechinsky at the Royal Museums of the Art of Belgium in 1988. This exhibition had already been shown to the Guggenheim Museum of New York and in the Kunstverein of Hanover. As the title of the catalogue indicates it, the exhibition is devoted to the marginal drawings that Alechinsky very often realize around its works ; waves, characters, volcanos, it is always a history that Alechinsky tells us, in margin of its works. In margin yes, but integral part of work. The mixing of technique often gives very interesting results (generally acrylic for the central part of the work and Indian ink for the margins). These margins are sometimes "prédelles" (only one band in bottom of the painting). Nearly 120 works are reproduced in colors. Poem of Octavio Paz and interview of Alechinsky by Michael Gibson, Alechinsky who explains with much serious and humour the narrative sequences of his works. Important biography at the end of the book. Back
ALECHINSKY briography